PROTOTYPE



Exposants

Ben Nagaoka

Chris Kirby

Drill Design

Izumi Okayasu

Jo Nagasaka

Keiji Ashizawa

Kentaro Kudo
Maki Kato


Mikiya Kobayashi

Norihiko Terayama

Nosigner

Takafumi Nemoto

Thomas Antonietti

Yuko Nagayama


Un grand merci !

Jean Snow
Kaishi Tomoya





YUKO NAGAYAMA

1975   Born in Tokyo, Japan
1998   Graduated from Showa Woman’s University
1998 - 2002  Joined Jun Aoki & Associates
2002   Established Yuko Nagayama & Associates
2005   Tokyo University of science part-time lecturer

awards:
2005  JCD Design Award「LOUIS VUITTON Kyoto」
2004  Nakanoshima Railway Station Design Competition, 2nd Prize
2005  Concept House of "Tsukuba Style" Design Competition, 2nd Prize
2005  L’OREAL Art and Science of color Prize, encouraging prize
2006  The Best Debutant of the year 2006, Awards of creator & artist
2006  AR awards for emerging architecture 2006, highly commended
    「a hill on a house」

exhibition:
2006  「Yuko Nagayama」 Personal exhibition, PRISMIC gallery, Tokyo
2006  「DIC COLOR OF 10」 Exhibition, DIC COLOR SQUARE, Tokyo
2006  「Light and shadow」 Personal exhibition, SferaExhibition, Kyoto
2006  「Archilab 2006 Japon」 Exhibition, Orleans, France
2007  「DEROLL Commissions Series 1: box」Exhibition, Tokyo


The design for the facade for a brand jewelry store consists ofjewels piled up along the 40m height of the building. With thebiggest jewel 2m x 2m in size, real diamonds could not be used.Instead we traced the pattern of the jewels' light onto aluminumsheets, punched out the pattern, and folded the sheets into 3-dimensional jewel panels.
The panels are installed on top of astainless mirror surface which reflects both sunlight and the inside surface of the panels, adding visual depth to the surface.
Light from LEDs shines out from behind the panels, giving a senseof transparency to the otherwise solid material.
At the same time, the light can make the jewels softly flickering as if they are quietly breathing.
The facade shines like platinum in the daylight and glitters like a living diamond by night.

The concept was unfortunately not built, but
stays with us as a "prototype" and continues to influence our work.