Exposants
Ben Nagaoka
Chris Kirby
Drill Design
Izumi Okayasu
Jo Nagasaka
Keiji Ashizawa
Kentaro Kudo
Maki Kato
Mikiya Kobayashi
Norihiko Terayama
Nosigner
Takafumi Nemoto
Thomas Antonietti
Yuko Nagayama
Un grand merci !
Jean Snow
Kaishi Tomoya |


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YUKO NAGAYAMA
1975 Born in Tokyo, Japan
1998 Graduated from Showa Woman’s University
1998 - 2002 Joined Jun Aoki & Associates
2002 Established Yuko Nagayama & Associates
2005 Tokyo University of science part-time lecturer
awards:
2005 JCD Design Award「LOUIS VUITTON Kyoto」
2004 Nakanoshima Railway Station Design Competition, 2nd Prize
2005 Concept House of "Tsukuba Style" Design Competition, 2nd Prize
2005 L’OREAL Art and Science of color Prize, encouraging prize
2006 The Best Debutant of the year 2006, Awards of creator & artist
2006 AR awards for emerging architecture 2006, highly commended
「a hill on a house」
exhibition:
2006 「Yuko Nagayama」 Personal exhibition, PRISMIC gallery, Tokyo
2006 「DIC COLOR OF 10」 Exhibition, DIC COLOR SQUARE, Tokyo
2006 「Light and shadow」 Personal exhibition, SferaExhibition, Kyoto
2006 「Archilab 2006 Japon」 Exhibition, Orleans, France
2007 「DEROLL Commissions Series 1: box」Exhibition, Tokyo
The design for the facade for a brand jewelry store consists ofjewels piled up along the 40m height of the building. With thebiggest jewel 2m x 2m in size, real diamonds could not be used.Instead we traced the pattern of the jewels' light onto aluminumsheets, punched out the pattern, and folded the sheets into 3-dimensional jewel panels.
The panels are installed on top of astainless mirror surface which reflects both sunlight and the inside surface of the panels, adding visual depth to the surface.
Light from LEDs shines out from behind the panels, giving a senseof transparency
to the otherwise solid material.
At the same time, the light can make the jewels softly flickering as if
they are quietly breathing.
The facade shines like platinum in the daylight and glitters like a living
diamond by night.
The concept was unfortunately not built, but
stays with us as a "prototype" and continues to influence our work. |